Form 1 series
The Form 1 series is deeply feminine. All lines appear organically in the flow, emerging from a deep, tactile dialogue with the stone — unplanned, intuitive, and shaped by trust and rhythm rather than by a vision or a plan.

Although this creation process, which relies so heavily on intuition, comes with challenges and frustrations, the pieces that emerge are expressions of joy.
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Form 2 series
The blocks for this form were all reclaimed from fireplace mantels and garden benches — elongated and thin. The stone challenged me to express movement and dimensionality within narrow constraints. I learned that discipline and trust are the keys to creative freedom.

There is little, if any, room for error in a narrow block, and working with it requires precision and patience. Sometimes, simple breathing is an unaffordable luxury. It requires complete trust in the stone, my diamond blade, and the steadiness of my hands to push the form to its limit.

After teaching myself the patience and discipline required to push the stone safely to translucence, I feel freer. That newly gained freedom can be compared to the feeling of a bird whose wings have grown twice as large.
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Form 3 series
Treasure found in the debris – benches made from Carrara marble – material for the two sculptures in the series.

Each sculpture is an experiment in polarity — masculine and feminine. More importantly, it is an experiment in the space between two forms, which creates the charge. Crush two forms together or place them too far apart and the magic is lost. Put them just close enough and you can see how they dance, flirt, struggle, wrap around each other or pull away.
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