Form 1 series
The Form 1 series is deeply feminine. All lines appear organically in the flow, emerging from a deep, tactile dialogue with the stone — unplanned, intuitive, and shaped by trust and rhythm rather than by a vision or a plan.

Although this creation process, which relies so heavily on intuition, comes with challenges and frustrations, the pieces that emerge are expressions of joy.
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Form 2 series
The blocks for this form were all reclaimed from fireplace mantels — elongated and thin. The stone challenged me to express movement and dimensionality within narrow constraints. I learned that discipline and trust are the keys to creative freedom.

There is little, if any, room for error in a narrow block, and working with it requires precision and patience. Sometimes, simple breathing is an unaffordable luxury. It requires complete trust in the stone, my diamond blade, and the steadiness of my hands to push the form to its limit.

After teaching myself the patience and discipline required to push the stone safely to translucence, I feel freer. That newly gained freedom can be compared to the feeling of a bird whose wings have grown twice as large.
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Form 3 series
Treasure found in the debris – benches made from Carrara marble – material for the sculptures in the series.

Each sculpture is an experiment in polarity — masculine and feminine. More importantly, it is an experiment in the space between two forms, which creates the charge. Crush two forms together or place them too far apart and the magic is lost. Put them just close enough and you can see how they dance, flirt, struggle, wrap around each other or pull away.

Feminine forms came to me easily, they appeared effortlessly from the cloud of white marble dust, ready to be mounted on a base and shown in their own right.

Masculine forms, for all the sculptures, came through struggle, reflection, and breaks. Mirroring the difficulty of holding the polarity in life.

The feminine forms hold elongated negative space, soft curves and rounded transitions, while the masculine forms carry abrupt volume shifts and harder directional lines.
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Form 4 series
Stone for the sculptures in Form 4 comes from the Colorado mountains — one large block of white marble with distinct gray veining.
The two sculptures are defined by soft curvature and a gentle shift of weight around a vertical axis. A unifying element is the presence of deep concavities running from top to bottom of each form, creating pronounced shadows and dimensionality.
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